International Journal of Arts and Technology
- Editor in Chief
- Prof. Athanasios Vasilakos
- ISSN online
- 1754-8861
- ISSN print
- 1754-8853
- 4 issues per year
- Impact factor (Clarivate Analytics) 2024 0.2 (5 Year Impact Factor 0.2)
- CiteScore 1.1 (2023)
JCI 0.07
IJART addresses arts and new technologies, highlighting computational art. With evolution of intelligent devices, sensors and ambient intelligent/ubiquitous systems, projects are exploring the design of intelligent artistic artefacts. Ambient intelligence supports the vision that technology becomes invisible, embedded in our natural surroundings, present whenever needed, attuned to all senses, adaptive to users/context and autonomously acting, bringing art to ordinary people, offering artists creative tools to extend the grammar of the traditional arts. Information environments will be the major drivers of culture.
Topics covered include
- New media arts, science and technology
- Interactive/visual theatre, neurobiological base of acting, digital/wearable cinema
- Augmented performance in dance
- Artificial intelligence-based art practice, web art and postmodernism
- Using analysis of artworks in conjunction with AmI to produce novel objects
- Using AmI to promote the creativity of a human user
- Autonomic sensor networks and wearable computers in the performing arts
- Computer vision and optical tracking for music and dance performance
- Cognitive intelligence and natural intelligence for the arts
- Collaborative distributed environments
- Evolutionary art systems that create drawings/images/animations/sculptures/poetry/text
- Evolutionary music systems that create musical pieces/sounds/instruments/voices
- Choreographing media for interactive virtual environments
- New media actors, new media aesthetics
- Social and ethical issues in the arts and technology
Objectives
The objectives of IJART are to address new works, research and performances in the multi-disciplinary emerging area of new technologies and the arts - and to provide a common platform under which this artwork can be published and disseminated. IJART provides a high-quality platform for this purpose.
Readership
IJART provides a vehicle to help professionals, academics, researchers ,artists, museum curators, and graduate students working in the field of arts and technology, to disseminate information and to learn from each other's work.
Contents
IJART publishes original research papers, review papers, artworks, performances, conference reports, book reviews, notes, commentaries, and news. Special Issues devoted to important topics in the arts and new technologies will occasionally be published.
Editor in Chief
- Vasilakos, Athanasios, Lulea University of Technology, Sweden
(th.vasilakosgmail.com)
Managing Editors
- Wan, Jiafu, South China University of Technology, China
- Xia, Zhihua, Jinan University College of Cyber Security, China
Editorial Board Members
- Brooks, Tony, Aalborg University, Denmark
- Chen, Min, Seoul National University, South Korea
- Cheok, Adrian David, National University of Singapore, Singapore
- Draisin, Maya, International Academy of Digital Arts & Sciences (IADAS), USA
- El-Nasr, Magy Seif, Simon Fraser University, Canada
- Fisher, Scott S., University of Southern California, Los Angeles, USA
- Fishwick, Paul, University of Florida, USA
- Grau, Oliver, Danube University, Austria
- Gross, Tom, University of Bamberg, Germany
- Hu, Jun, Eindhoven University of Technology, Netherlands
- Inakage, Masa, Keio University, Japan
- Ishii, Hiroshi, MIT Media Laboratory, USA
- Kato, Hirokazu, Nara Institute of Science and Technology, Japan
- Lee, Newton, Institute for Education, Research, and Scholarships, USA
- Li, Zhenyu, Jiangnan University, China
- Maes, Patti, MIT Media Laboratory, USA
- Marranca, Bonnie, PAJ Publications, USA
- Natkin, Stéphane, Conservatoire National des Arts et Métiers, France
- Pan, Zhigeng, Zhejiang University, China
- Pentland, Alex (Sandy), MIT Media Laboratory, USA
- Rokem, Freddie, Tel Aviv University, Israel
- Salem, Ben, Kwansei Gakuin University, Japan
- Sarfraz, Muhammad, Kuwait University, Kuwait
- Selker, Ted, MIT Media Laboratory, USA
- Shu, Lei, Guangdong University of Petrochemical Technology, China
- Vercoe, Barry, MIT Media Laboratory, USA
- Wilson, Stephen, San Francisco State University, USA
- Xiong, Neal Naixue, Colorado Technical University, USA
- Yang, Bin, Jiangnan University, China
- Yang, Jian, Shanghai Conservatory of Music, China
A few essentials for publishing in this journal
- Submitted articles should not have been previously published or be currently under consideration for publication elsewhere.
- Conference papers may only be submitted if the paper has been completely re-written (more details available here) and the author has cleared any necessary permissions with the copyright owner if it has been previously copyrighted.
- Briefs and research notes are not published in this journal.
- All our articles go through a double-blind review process.
- All authors must declare they have read and agreed to the content of the submitted article. A full statement of our Ethical Guidelines for Authors (PDF) is available.
- There are no charges for publishing with Inderscience, unless you require your article to be Open Access (OA). You can find more information on OA here.
- All articles for this journal must be submitted using our online submissions system.
- View Author guidelines.
Submission process
Journal news
Closer to the art
4 December, 2024
The emotional and cognitive response to the artworks of Raja Ravi Varma, one of India's most celebrated 19th-century painters, is discussed in the International Journal of Arts and Technology. Varma was known for blending European academic realism with traditional Indian themes, and so his paintings achieved a long-held significance not only for their aesthetics but also for their ability to resonate with a broad cross-cultural audience. Indeed, while Varma's paintings are often iconic in their depiction of Hindu deities and their representation of mythological narratives, many have been mass-produced and become accessible to the public as well as art collectors. Dyutiman Mukhopadhyay and Sangeetha Menon of the National Institute of Advanced Studies in Bengaluru, Sohhom Bandyopadhyay of the Indian Institute of Technology Gandhinagar in Gujarat, and Eshwar Venkatesh of the Manipal Academy of Higher Education in Manipal (Bengaluru Campus), India, have looked at the aesthetics of Varma's paintings using both Western and Indian theories of art to probe the emotional and perceptual responses of viewers [...]
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