Inderscience PublishersInderscience PublishersInderscience Publishers About Inderscience Contact Information Current Site Map General Help
  PUBLISHERS OF DISTINGUISHED ACADEMIC, SCIENTIFIC AND PROFESSIONAL JOURNALS

International Journal of Arts and Technology  (IJART)

Call For PapersCall For papers

Special Issue on: "Immersive Virtual, Mixed, or Augmented Reality Art"

Guest Editors:
Maria Roussou, makebelieve design & consulting, Greece
Maurice Benayoun, Université Paris 1 Pantheon-Sorbonne, France

For the past fifteen years, virtual reality (VR) and, more recently, mixed reality (MR) and augmented reality (AR) environments that immerse their participants in imaginary space, have emerged to define an area that blurs the lines between the seemingly different worlds of research, creativity, and technological practice, while exploring the interdependencies between the virtual and the physical. From the immersive, yet more esoteric, CAVE®-based projects of the mid-nineties to the contemporary open experiences spread out in virtual as well as physical space, creative VR/MR/AR applications are challenging the ways we perceive both digital art and the science and engineering behind them.

Early enthusiasm with the use of projection-based display structures and the development of authoring solutions for application-building has brought a level of maturity, characterized by the emergence of new technical and conceptual forms. It is this particular moment in the evolution of immersive VR/MR/AR art practice that this special issue seeks to capture. Hence, in this special issue, we aim to bring forth the topic of immersive art in its current maturity, present the newest developments and explore its evolving forms, aspiring to shape a framework that will help us to develop the next generation of environments.

Therefore, this special issue will not include contributions that deal solely with describing a narrow and specific piece of art or research without reference to a conceptual framework or a critical analysis; rather we encourage contributions that take a broad and integrative view of relevant topics, encompassing both theoretical and empirical perspectives of digitally-generated creative spaces.

 Go Top  Subject Coverage

Submissions are invited that touch on but are not limited to the following themes:

  • Theoretical discourse on immersive virtual, mixed or augmented reality art environments.
  • Novel design concepts, applications, implementations and experiences from the actual deployment of immersive VR/MR/AR art applications
  • Research or empirical work addressing some of the open questions in the design of immersive art environments. For example:
    • Issues concerning creativity and aesthetics, visual depiction, storytelling and narrative, triggering other senses, embodiment, etc.
    • The fine line between designing for entertainment or for artistic pleasure
    • Issues in the design of interactivity, interfaces, and interaction methodologies, such as navigation by and tracking of multiple users, meaningful group interaction, the integration of multi-modal interfaces (e.g. tactile and haptic displays, sensing technologies), etc.
    • Issues concerning the design and development process of immersive artwork, such as the conceptualisation and collaboration challenges presented by multitalented interdisciplinary teams working together, the unavailability of resources and work environments, etc.
    • Issues in the deployment of different display configurations, sizes, and installations, as well as challenges in the practical use with diverse audiences (e.g., the need to guide people in experiencing the artwork)

Contributions are encouraged from different disciplinary perspectives, including fine arts, computer science, performance art, theatre, design, architecture, communications and social sciences, philosophy, cognitive psychology, and enabling technologies.

Contributions should take a broad and integrative view of relevant topics, rather than merely describing a narrow and specific piece of art or research.

 Go Top  Notes for Prospective Authors

Submitted papers should not have been previously published nor be currently under consideration for publication elsewhere

All papers are refereed through a peer review process. A guide for authors, sample copies and other relevant information for submitting papers are available on the Author Guidelines page

 Go Top  Important Dates

Deadline for full paper submission: 24 November, 2008

Review results returned to authors: February 29, 2009

Deadline for camera-ready papers: June 30, 2009

 Go Top  Editors and Notes

You may send one copy in the form of an MS Word file attached to an e-mail (details in Author Guidelines) to the following:

Maria Roussou
Founding Director
Makebelieve Design & Consulting
Herodou Attikou 10, Maroussi
GR 15124 Athens
Greece
Tel: +30 697 7325456
E-mail: maria@makebelieve.gr

Maurice Benayoun
Co-founder and Artistic Director of CITU,
Universite Paris 1 Pantheon-Sorbonne
Paris
France
Tel: +33 6 03 40 47 54
E-mail: mb@benayoun.com

with a copy to:

Editorial Office
E-mail: editorial@inderscience.com

Please include in your submission the title of the Special Issue, the title of the Journal and the name of the Guest Editor