Real-time audio-visual composition: Mugenkei as a Live Dream
by Wilfried Jentzsch, Jean Detheux
International Journal of Arts and Technology (IJART), Vol. 2, No. 1/2, 2009

Abstract: As the finale of the DigArt Symposium, Jean Detheux (images) and myself (music) have presented the performance Mugenkei as a Live Dream. This consisted of an improvised visual music where images and music have been produced in real-time. This article will review the performance from the viewpoint of the relationship between images and music.

Online publication date: Tue, 24-Mar-2009

The full text of this article is only available to individual subscribers or to users at subscribing institutions.

Existing subscribers:
Go to Inderscience Online Journals to access the Full Text of this article.

Pay per view:
If you are not a subscriber and you just want to read the full contents of this article, buy online access here.

Complimentary Subscribers, Editors or Members of the Editorial Board of the International Journal of Arts and Technology (IJART):
Login with your Inderscience username and password:

    Username:        Password:         

Forgotten your password?

Want to subscribe?
A subscription gives you complete access to all articles in the current issue, as well as to all articles in the previous three years (where applicable). See our Orders page to subscribe.

If you still need assistance, please email