Title: Globalisation vs. anti-globalisation of art museums: a comparative analysis of France and the UK

Authors: Nasser AlShawaaf; Soo Hee Lee

Addresses: AOU Business School, Faculty of Business Studies, Arab Open University, Al-Ardia, 92400, Kuwait ' Kent Business School, University of Kent, Canterbury, CT2 7FS, UK

Abstract: Art museums are increasingly seeking globalisation in times of rising nationalism. This study examines the causes of art globalisation and the effects of anti-globalisation by analysing the impacts of cultural policies and major events on art museums. A comparative analysis of France and the UK shows that funding and cultural policies are determinants in maintaining a local focus on the arts or acquiring foreign artworks and expanding globally. France has pushed for cultural decentralisation and democratisation, which have encouraged art museums to globalise to enhance financial performance and cultural reach. In contrast, the UK experienced a major anti-globalisation event that is curtailing the extent of art circulation. Nationalism is diminishing funding, restricting artists' movements, and restraining international artwork exchange. Countries aspiring to have a global cultural influence need legislation that enables and stimulates cultural institutions to expand globally. Art globalisation initiatives may not succeed, given the rise of anti-globalisation around the world.

Keywords: globalisation; nationalism; art museums; cultural policies; France; UK.

DOI: 10.1504/IJGSB.2024.138675

International Journal of Globalisation and Small Business, 2024 Vol.14 No.1, pp.41 - 61

Received: 04 Oct 2022
Accepted: 22 Jan 2024
Published online: 23 May 2024 *

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