Article: Pareidolia: characterising facial anthropomorphism and its implications for product design Journal: Journal of Design Research (JDR) 2018 Vol.16 No.2 pp.83 - 98 Abstract: This work highlights the phenomenon of pareidolia - the tendency to see faces in the environment, buildings and objects that surround us - and establishes its relevance for design contexts. In reviewing literature on anthropomorphism and the use of faces in design embodiment, we have shown that it is a compelling and prevalent facet of how we interpret products. By surveying 2,309 images from across the internet, we provide the first systematic investigation of product types and face characteristics (size, composition, emotion) that are manifest in this phenomenon. The most common instances were shown to be in medium-sized products, where part of the product was interpreted as a face, and that conveyed a happy emotion. The effects of culture and self-congruence are identified as important aspects of our interpretation of facial emotion. It is concluded that the fundamental geometric elements of products should be considered with respect to facial morphology, whether it be the intention to utilise its effects or not, and set out the case for more quantified guidelines on the use of pareidolia and anthropomorphism in design. Inderscience Publishers - linking academia, business and industry through research

Title: Pareidolia: characterising facial anthropomorphism and its implications for product design

Authors: Andrew Wodehouse; Ross Brisco; Ed Broussard; Alex Duffy

Addresses: Department of Design, Manufacture and Engineering Management, University of Strathclyde, James Weir Building, 75 Montrose Street, Glasgow, G1 1XJ, UK ' Department of Design, Manufacture and Engineering Management, University of Strathclyde, James Weir Building, 75 Montrose Street, Glasgow, G1 1XJ, UK ' Department of Design, Manufacture and Engineering Management, University of Strathclyde, James Weir Building, 75 Montrose Street, Glasgow, G1 1XJ, UK ' Department of Design, Manufacture and Engineering Management, University of Strathclyde, James Weir Building, 75 Montrose Street, Glasgow, G1 1XJ, UK

Abstract: This work highlights the phenomenon of pareidolia - the tendency to see faces in the environment, buildings and objects that surround us - and establishes its relevance for design contexts. In reviewing literature on anthropomorphism and the use of faces in design embodiment, we have shown that it is a compelling and prevalent facet of how we interpret products. By surveying 2,309 images from across the internet, we provide the first systematic investigation of product types and face characteristics (size, composition, emotion) that are manifest in this phenomenon. The most common instances were shown to be in medium-sized products, where part of the product was interpreted as a face, and that conveyed a happy emotion. The effects of culture and self-congruence are identified as important aspects of our interpretation of facial emotion. It is concluded that the fundamental geometric elements of products should be considered with respect to facial morphology, whether it be the intention to utilise its effects or not, and set out the case for more quantified guidelines on the use of pareidolia and anthropomorphism in design.

Keywords: pareidolia; anthropomorphism; aesthetics; facial representation; emotion; product design; design process.

DOI: 10.1504/JDR.2018.092792

Journal of Design Research, 2018 Vol.16 No.2, pp.83 - 98

Accepted: 02 Jan 2018
Published online: 29 Jun 2018 *

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Title: Pareidolia: characterising facial anthropomorphism and its implications for product design

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