2026 Vol.16 No.9 Open Access2026 Vol.16 No.8 Open Access2026 Vol.16 No.7 Open Access2026 Vol.16 No.6 Open Access2026 Vol.16 No.5 Open Access2026 Vol.16 No.32026 Vol.16 No.22026 Vol.16 No.12025 Vol.15 No.6 Open Access2025 Vol.15 No.5 Open Access2025 Vol.15 No.42025 Vol.15 No.3 Free Access2024 Vol.15 No.22024 Vol.15 No.12023 Vol.14 No.42022 Vol.14 No.32022 Vol.14 No.22022 Vol.14 No.12021 Vol.13 No.42021 Vol.13 No.32021 Vol.13 No.22021 Vol.13 No.12020 Vol.12 No.42020 Vol.12 No.32020 Vol.12 No.22020 Vol.12 No.12019 Vol.11 No.42019 Vol.11 No.32019 Vol.11 No.22019 Vol.11 No.12017 Vol.10 No.42017 Vol.10 No.32017 Vol.10 No.22017 Vol.10 No.12016 Vol.9 No.42016 Vol.9 No.32016 Vol.9 No.22016 Vol.9 No.12015 Vol.8 No.42015 Vol.8 No.32015 Vol.8 No.22015 Vol.8 No.12014 Vol.7 No.42014 Vol.7 No.2/32014 Vol.7 No.12013 Vol.6 No.42013 Vol.6 No.32013 Vol.6 No.22013 Vol.6 No.12012 Vol.5 No.2/3/42012 Vol.5 No.12011 Vol.4 No.42011 Vol.4 No.32011 Vol.4 No.22011 Vol.4 No.12010 Vol.3 No.42010 Vol.3 No.2/32010 Vol.3 No.12009 Vol.2 No.42009 Vol.2 No.32009 Vol.2 No.1/22008 Vol.1 No.3/42008 Vol.1 No.22008 Vol.1 No.1

International Journal of Arts and Technology (IJART)

International Journal of Arts and Technology

2022 Vol.14 No.1


Pages Title and author(s)
1-9New paradigms for the sustenance of live theatre in Nigeria amidst the pandemic: an evaluation of first ever drive-in theatre in Nigeria
Chiagozie Ugwu; Uche-Chinemere Nwaozuzu
DOI: 10.1504/IJART.2022.122444
10-23Music emotion recognition method based on multi feature fusion
Yali Zhang
DOI: 10.1504/IJART.2022.122447
24-39Research on colour correction algorithm of art works based on mapping rules
Ta-Hong Zhang; Ting Yang
DOI: 10.1504/IJART.2022.122449
40-55Research on the extraction method of painting style features based on convolutional neural network
Hua Jiang; Ting Yang
DOI: 10.1504/IJART.2022.122448
56-70Application of Fourth Industrial Revolution technologies in contemporary South African art
Siyanda Xaba; Xing Fang; Dhaneshwar Shah; Kaiwen Yang
DOI: 10.1504/IJART.2022.122451
71-86Symbols of leadership and unity in the works of Bruce Onobrakpeya from 1972-2008
Ese Odokuma-Aboderin
DOI: 10.1504/IJART.2022.122464

 

Return to top