Fractal analysis of tree paintings by Piet Mondrian (1872-1944)
by Tassos Bountis; Athanassios S. Fokas; Emmanouil Z. Psarakis
International Journal of Arts and Technology (IJART), Vol. 10, No. 1, 2017

Abstract: We examine two paintings by Piet Mondrian, and suggest that his depiction of tree foliages exhibit fractal patterns of a specific dimension. Our analysis implies that fractality may possess an aesthetic value that affected Mondrian, perhaps in a similar way as it inspired Jackson Pollock, another famous painter who incorporated fractality in several of his paintings. In recent years there has been a stimulating debate among scientists arguing for and against the thesis that Jackson Pollock's drip paintings when analysed at small scales can be described by the mathematics of fractal geometry. Our suggestion that fractal patterns exist in the paintings of a second famous artist - in this case Piet Mondrian - further supports the hypothesis that the beauty which exists in fractality may affect consciously or subconsciously such great painters as Jackson Pollock and Piet Mondrian.

Online publication date: Wed, 26-Apr-2017

The full text of this article is only available to individual subscribers or to users at subscribing institutions.

 
Existing subscribers:
Go to Inderscience Online Journals to access the Full Text of this article.

Pay per view:
If you are not a subscriber and you just want to read the full contents of this article, buy online access here.

Complimentary Subscribers, Editors or Members of the Editorial Board of the International Journal of Arts and Technology (IJART):
Login with your Inderscience username and password:

    Username:        Password:         

Forgotten your password?


Want to subscribe?
A subscription gives you complete access to all articles in the current issue, as well as to all articles in the previous three years (where applicable). See our Orders page to subscribe.

If you still need assistance, please email subs@inderscience.com