Looking for the linguistic knowledge behind the curtains of contemporary dance: the case of Rui Horta's creative process
by Carla Montez Fernandes, Rute Costa
International Journal of Arts and Technology (IJART), Vol. 3, No. 2/3, 2010

Abstract: This paper is composed of two main parts: the first one consisting of theoretical reflections both on the implicit knowledge we believe is contained in the making-of processes of contemporary dance performances and on the relations between concepts and their corresponding terms; the second one describing a practice-oriented case study, based on original video recordings of the creation and rehearsal process of a dance piece (SetUp) by contemporary choreographer Rui Horta. The case study is framed by the presently running research project A Transmedia Knowledge Base for contemporary dance (TKB), which is also briefly presented.

Online publication date: Wed, 07-Apr-2010

The full text of this article is only available to individual subscribers or to users at subscribing institutions.

 
Existing subscribers:
Go to Inderscience Online Journals to access the Full Text of this article.

Pay per view:
If you are not a subscriber and you just want to read the full contents of this article, buy online access here.

Complimentary Subscribers, Editors or Members of the Editorial Board of the International Journal of Arts and Technology (IJART):
Login with your Inderscience username and password:

    Username:        Password:         

Forgotten your password?


Want to subscribe?
A subscription gives you complete access to all articles in the current issue, as well as to all articles in the previous three years (where applicable). See our Orders page to subscribe.

If you still need assistance, please email subs@inderscience.com