Defining digital-Foley for live performance
by Ben Challis; Rob Dean
International Journal of Arts and Technology (IJART), Vol. 7, No. 4, 2014

Abstract: Using a series of reflective case-studies, the role of the Foley artist is reconsidered alongside technological innovations in both digital sound manipulation and physical computing. Through a series of theatrical productions and collaborations Challis and Dean have explored the sonic and dramatic possibilities created by the utilisation of digital technology in a live performance context. In this article, a variety of approaches to electronic sound-production and control are described along with first-hand reflections on the expressivity and control that are offered by each within a context of live drama. Their current project is a multimedia adaptation of the novel and film Metropolis where the aural accompaniment will be performed live using a range of adapted and purpose built sonic triggers. In defining digital-Foley, design considerations and key principles are outlined that can enhance the connectivity between the sound-artist and the sonic-landscapes they create.

Online publication date: Wed, 31-Dec-2014

The full text of this article is only available to individual subscribers or to users at subscribing institutions.

 
Existing subscribers:
Go to Inderscience Online Journals to access the Full Text of this article.

Pay per view:
If you are not a subscriber and you just want to read the full contents of this article, buy online access here.

Complimentary Subscribers, Editors or Members of the Editorial Board of the International Journal of Arts and Technology (IJART):
Login with your Inderscience username and password:

Username:        Password:          Forgotten your password?

Want to subscribe?
A subscription gives you complete access to all articles in the current issue, as well as to all articles in the previous three years (where applicable). See our Orders page to subscribe.

If you still need assistance, please email subs@inderscience.com